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If your look at the study conducted by Innerscope Research and posted in Ad Age you would think that’s the case. According to this study, Digital Natives (consumers in their 20’s) switch media venues about 27 times per nonworking hour. The truth is they don’t have ADD, they are ASCC, Actively Seeking Compelling Content. One reader of the study, Dan Albert, Senior VP-Media Director at Chicago’s MARC USA agency said: "What they are looking for is engaging content, and they dismiss so much stuff".
The article goes on to quote a Nielsen survey that found 45% of Americans who own tablets use them daily while watching TV, with 26% noting simultaneous use of both several times during the day. Smartphone users demonstrated similar habits, according to Nielsen. I’m not a Digital Native, I’m an aging Baby Boomer, but my personal habits mimic those in the Nielsen survey. I usually look at my iPad several times during a TV viewing session, checking a web site for something that caught my eye or looking up something relevant to what I am watching.
Mark Ramsey talks about this in a post about radio losing the “War for Attention”. Mark talks about HD radio-equipped smartphones and how what radio needs is compelling content, not more another distribution channel. Marc sums it up pretty well: “Consumers care about what consumers care about, and that’s the content and the experience – the solutions to their day-to-day problems and the sparks for their day-to-day delights.”
This is exactly why Abacast has created Personalized Local Radio (PLR). PLR blends the best of live, local radio with personalized music playlists to create a new very compelling stream of content. This is new stream is totally focused on each individual listener and allows them to tailor their music choice to match their mood. They can elect to listen to the curated music from their favorite local radio station, or just keep the live and local parts of that station and add their own music choices based on an artist, song or “genius” station. PLR will allow radio to leverage their local talent and their connection to the local market and provide their listeners with the choice of curated or personalized music.
PLR allows radio to compete with Pandora and other personalized music services head-to-head with the advantage back on radio’s side now. We can provide the same level of accountability and targeting that advertisers are demanding and add the live and local part of radio that Pandora can’t. It’s truly a blend of the best of both worlds to create a compelling new way for radio to capture and hold the attention of that fickle audience that is ASCC.
Get Onboard or Be Left Behind
Written by Michael Dalfonzo, Sales Manager
Edison Research and Arbitron have just released their benchmark 20th study of digital media usage “The Infinite Dial 2012: Navigating Digital Platforms”. The findings clearly demonstrate that online radio has become a must-have part of any radio enterprise. The 32% growth of the weekly online audience from 22% in 2011 to 29% in 2012 is truly an amazing number. But there is much more--mobile listening is growing even faster, owing to the fact that 44% of American’s 12+ now have a smartphone and that represents half of all cell phone owners.
There is a wealth of data in this study, and any radio operator who hasn’t joined the digital revolution should take a few minutes and read and digest the data presented. If your station, or group of stations, is not providing a way for your listeners to listen to your station online or on mobile you are missing a tremendous opportunity. Your audience wants to be able to listen to your station wherever they are, whenever they want, on whatever device they choose. If your station isn’t there when and where they want it, there are plenty of other choices.
Let’s look at two staples of radio listening: at work and in the car.
At work listening was reported in this study last year at 21% of people 18+ who were employed full or part-time and listened to the radio while working. This year that number had swelled to 38%, and for the first time is broken out as 18% listening on a computer and 13% listening on a smartphone. That’s over a 47% increase year-over-year.
Radio’s last bastion of listening, the car, has not escaped the pattern either. In the 2011 study 11% of cell phone owners listened to online radio by connecting that device to their car stereo. In 2012 that number had grown to 17%, a 54% increase year-over-year. Keep in mind that most cars are not Bluetooth equipped, meaning that these folks had to use a cord to plug their device into the car stereo, which should give you an idea of the appetite for online radio.
What all of this clearly points to is that online radio is not a fad or a passing fancy. It’s the real deal, and if your station isn’t in the digital space, you risk becoming irrelevant to your audience and your advertisers. Much has been written about how online advertising is interactive, targetable and trackable and how Pandora is using those strengths against broadcast radio and targeting your advertisers. You can sit back and wish that things would return to the way they were and that all this online stuff would just go away, or you can join the online revolution using the same weapons that Pandora uses to lure your advertisers, couple them with the strengths your local brand has that services like Pandora don’t, and build an online business that is additive to your broadcast business.
The choice is yours and it’s not too late to get on-board, but the train is leaving the station. The signals are clear; get on or be left behind.
How to Make Money With Digital Audio
Written by Jason Vosburgh, Marketing DirectorDuring the 2011 Streaming Media West Show, Abacast CEO, Rob Green, presents aspects of Abacast’s digital audio monetization ecosystem, its evolution into a mature digital radio
The presentation includes two case studies of mid-level market broadcasters showing digital radio success when adopting Abacast’s Digital Radio Blueprint combined with increased efficiency in managing ad inventory using Clarity™ Digital Radio System. Mr. Green also shares strategies for in-house ad sales, how ad network revenue share and auction models contribute to profits, and the importance of validated audience metrics.platform, and how it’s helping broadcasters generate significant profits on an annual basis.
Viewers will learn about the Abacast Digital Radio Blueprint, what it is, and how it integrates with all the components of Abacast’s Clarity™ Digital Radio System creating one complete system for digital radio streaming.
The presentation speculates the business strategies that may be leading the way for video streaming providers as they find their place in the overall picture of the streaming landscape.
Radio has always had a strong connection to and ability to connect with its audience. Radio is the local source for music and news and it is available in the home, car, work, gym, etc. People depend on radio to tell them about traffic and concerts, tragedy and comedy, and everything in-between. Your audience has always been able to tune into your station because radios have been fairly ubiquitous. But that’s rapidly changing.
Don’t misunderstand, radios are still important, but they are being superseded by Internet devices including smartphones, tablets, and even Internet-connected televisions. The question then is no longer how are you reaching your broadcast audience, but rather what are you doing to connect with your digital audience? Is there a difference in how to reach and engage this audience? Unequivocally, the answer is YES. Connecting with your digital audience is more than just propping up a website and repurposing your radio signal; much more.
In the broadcast world, you are competing for your audience with a small number of competitors, and only a few of those are in your same format. In the digital world, your audience has the ability to pick thousands of stations, with no geographic limitation, and for free. If all your digital offering consists of is the same playlist as your broadcast, you will be in trouble as we shift towards digital consumption.
In the digital realm, your audience is expecting engagement on many levels. They are expecting an immersive experience. They want a rich engaging website, cool mobile apps, and the ability to see your playlist, share it, comment on it, and influence it. Most of all - they want it to be fun. Which of these should you invest in? All of them.
Huge Success for Abacast During NAB
Written by Jason Vosburgh, Marketing Director
With the new launch of Abacast Clarity™ Digital Radio System, it was important for us to make sure to take the time to educate our key customers, partners and prospects on the products and services contained within this radio platform.
Instead of rented booth space at the NAB , we opted for a suite in Bellagio to hold intimate meetings to demonstrate the new capabilities of Abacast Clarity™ Digital Radio System, particularly outlining the enterprise level features that the new Clarity™ Ad Insertion System has to offer. We also demonstrated its device-targeted features and 3rd party ad network integration. These are key components of the Abacast Clarity™ Digital Radio System, and are targeted to help broadcasters create meaningful revenues from their online radio streaming.
Our goal was to get direct feedback from our partners regarding the enterprise functionality of the system, its ease of use, and the layout of the user interface in a logical order for easy reporting and analysis of ad campaigns.
Our holistic approach to our new platform has been unique in the industry and we wanted to make sure we stayed customer-centric in development of Clarity™. The best way we know how to do this is get solid feedback from real ad-traffickers that are currently working in the business today.
We were booked solid in the time that we held meetings and the feedback we received has been more than outstanding, making this a huge success for Abacast.
You Need to Go Digital Now...Because Your Audience is Already There
Written by Jason Vosburgh, Marketing DirectorThe challenging point from the RAIN Summit West conference was repeated over and over: The time is now for digital radio strategies.
The RAIN Summit West had the largest audience to date, with peak attendance hitting approximately 250 radio professionals, all clamoring to learn more about what the future holds for the digital space as well as what can be done now for the over-the-air broadcasters. The conference hall was packed all day with broadcast industry leaders, radio executives, Internet radio entrepreneurs, and sales and technology visionaries.
Rob Green, Abacast CEO, gave a presentation about why digital matters now and what radio broadcasters can do to monetize efforts in the digital space. With every device being networked, it is important that radio uses its unique selling proposition to drive the on-air broadcast into successful digital radio models.
Unlike the other presentations that were perhaps more product focused, Rob gave the audience some real, valuable information that they could use and apply to their digital radio initiatives right now.
Unlike newspaper or print, radio doesn’t cannibalize itself with its digital counter-part instead, it actually enhances it. He continued to discuss the fact that the digital broadcast is an additional revenue source for the broadcaster and that radio possesses the same qualities for digital that it always has for on-air. Specifically, the appeal of radio for its live broadcast is that it is geared locally and presented by individual personalities and is a constant in most people’s lives, whether on-air or digitally.
The point of the presentation drove home the idea that the time is now to develop your digital radio strategy. 2011 promises to be an important year for broadcasters and how they embrace digital radio. BIA Kelsey reports that digital revenues are growing 14.1% (CAGR) beginning in 2011 and there is an abundance of data detailing the growth of online ad spend this year and how it is expected to jump by 2015.
Broadcasters need to act now in the digital space, because their audience is already there.
